Dance & Electronic

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

"W" was formed out of the need to give more space and a bigger voice to the women who have inspired Populous over the past few years, the women who continue to be part of his artistic and personal life. A tribute to the feminine and its countless facets, an album of sensual, dreamy, and uninhibited electronica. A calm counter to overtly masculine musical environments and an invitation to an ever-inclusive system.

Estereomance combines elements of soul, funk, electronic, pop, and jazz to create a charming romantic indie blend to represent the melting pot they're from. The debut self-titled album is a 7-song feel-good record that mixes multicultural influences to create a tasteful mix of vintage soul with modern bedroom pop. Available June 26th, the album is about discovering self-empowerment by overcoming life's struggles. It's about finding optimism by forgetting the past and looking up for the future.

Diana Ross has scored four consecutive Billboard #1 Dance Club Songs Chart singles over the last two years – “Ain’t No Mountain High Enough,” “I’m Coming Out / Upside Down”, “The Boss" & "Love Hangover 2020." This is a historical run, as each track also hit #1 during its original release. The self-produced album follows these club hits, with classic songs turned inside out. Mixes by Eric Kupper, who has 120 Billboard #1s. Limited Edition LP pressed on crystal clear-colored vinyl.

Dead Cross, the Southern California outfit featuring Dave Lombardo (ex-Slayer, Suicidal Tendencies, Misfits), Justin Pearson (The Locust, Retox, Head Wound City) and Michael Crain (Retox, Festival of Dead Deer), have added Mike Patton as the band’s singer.

‘The Mountain Has Fallen’ starts with “Systematic,” DJ Shadow and Nas’ first-ever collaboration together.  The song debuted during the season premiere of HBO’s Silicon Valley in April.  “Horror Show” finds Shadow and Danny Brown collaborating for the first time over a jagged, haunting soundscape.  “Good News” is a brand new composition, reminiscent of some of Shadow’s more free-form, fractured work found on 2016’s ‘The Mountain Will Fall’ full-length. 

The EP closes with “Corridors,” a piece featuring Academy Award-winning composer Steven Price (who scored the ‘Gravity’ film). Shadow is a massive fan of his work, and Price wrote and programmed the string parts on the song. 

"From the start of my last album, I envisioned collaborating with other instrumentalists who operate outside of the bass and hip-hop realms, ultimately working with the amazing Nils Frahm and Matthew Halsall.  Like many, I had always been enthralled by the soundtrack for the film 'Gravity,' and went about connecting with Steven purely as a fan.  I was overjoyed when the opportunity to combine on a song came to pass.  His ability to harness orchestral elements and join them with a sound design aesthetic made my contributions seem almost effortless, which is the mark of a fruitful partnership." – DJ Shadow, on “Corridors”

“Turns out sometimes you should meet your heroes.  Working with Josh to create ‘Corridors,’ hearing musical ideas and phrases come back to me twisted and skewed through the filter of his unique sensibilities, was an amazing experience.  The mark of a good collaboration is when the track heads off in a direction you could never have imagined when working on your own, and no one puts a track together like DJ Shadow.  It was an honour to work with him.” – Steven Price, on “Corridors”

‘The Mountain Has Fallen’ comes on the heels of a tremendous year for the legendary DJ and producer. He performed at Coachella 2017, marking his fifth appearance overall at the festival. He recently launched his KCRW show called Find, Share, Rewind, which airs at 10PM the first Saturday of each month.  His extensive ‘The Mountain Will Fall’ tour continues through 2017 and has seen him circle the globe more than once since launching in 2016, with recent dates in Australia, Japan and Europe.  He will finish his 2017 dates in London in October.  Shadow released his latest feature album ‘The Mountain Will Fall’ via Mass Appeal Records to raves last year, which lead to a performance on ‘The Tonight Show’ with Run The Jewels.  The music video for that track, “Nobody Speak,” just won the 2017 A2IM Libera Award for Best Music Video. 

Thievery Corporation's historic concert in 2017 at The JFK Center in Washington, D.C saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honor this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague's FILMHarmonic Orchestra; engineering and co-production by Gianmaria Conti.

Camo & Krooked are back with their new album “Mosaik”, the follow up to 2013’s critically acclaimed “Zeitgeist”. Their most recent double A-Side “Good Times Bad Times” and “Honesty” represent the new album as an ambitious project, featuring a host of skilled session musicians and industry professionals such as Simon Brittons, who's famously worked alongside Kool & The Gang, Eminem, Usher and Jimmy Cliff.

Funk Wav Bounces Vol. 1, is the highly anticipated 5th studio album from Calvin Harris. The ten track album features the previously released singles "Slide" featuring Frank Ocean & Migos, plus "Heatstroke" featuring Young Thug, Pharrell Williams & Ariana Grande. The album boasts 19 guests artist collaborations including Frank Ocean, Travis Scott, Kehlani, Future, Pharrell Williams, Katy Perry, Big Sean, John Legend, Khalid, Migos, Schoolboy Q, Ariana Grande, Young Thug, D.R.A.M., Nicki Minaj, Lil Yachty, Jessie Reyez, Partynextdoor plus Snoop Dogg. The Grammy Award-winning record producer, songwriter and DJ Calvin Harris stands as the figurehead for modern music, having broken world records and dominated global charts with his continued hit releases. As one of the most successful artists of all time, he currently has over 5 billion streams across all major streaming services, 5 billion video views, and 10 consecutive platinum singles.

"Repetition is a form of change," reads one of Brian Eno's Oblique Strategies. Seth Haley knows the concept well, and his style of technicolour synth-wave takes the mantra as a challenge. Six years after Galactic Melt introduced the cosmic story of Com Truise, Iteration now concludes his sprawling saga. True to its name, the album is built on Com Truise hallmarks: neon-streaked melodies, big drums, robotic grooves, bleary nostalgia. But Iteration is also the most elegant and streamlined that Haley's singular music has ever sounded. At the album's heart is an elaborate narrative, one full of longing, hope, anxiety, and triumph. Iteration illustrates the last moments Com Truise spends on the perilous planet Wave 1, before he and his alien love escape its clutches to live in peace. "...Of Your Fake Dimension" launches the interstellar drama with its anthemic swells and widescreen sound design, before lovesick songs like "Dryswch" and "Propagation" outline scenes wrought with cybernetic pathos. Later, the frantic rhythms of "Syrthio" conjure images of panicked flight as Haley's gorgeous synth melodies gild the action in quiet heartbreak. Then comes the resounding "When Will You Find The Limit…", when Iteration's pain and sadness finds liberation in the vast unknown. The closing title track ends it all in a gush of majestic revelry. So goes the winding story that Iteration tells, and yet there's more behind its telling. "I try hard not to write from my personal life, but it's inevitably going to seep into the music," Haley explains. "It's basically like I'm scoring this film in my head, but that film I'm scoring is also somehow my life." There are glimpses of the difficult time the East Coast native spent adjusting to a new life in Los Angeles, fighting homesickness and burnout while also touring the world. It was a time full of uncertainty, transition, and self-realization. After a year and a half of living in California, Hayley finally recaptured his creativity by finding new excitement in his work. "I put more air, more breathing room in the music-- that was the big change," he says. And once that clicked, the album just poured out of him. "It was like an information dump. I feel like I finished the record in two weeks." Such a clear refinement of the Com Truise sound took time to develop, but Iteration is well worth the patience and perseverance it cost. Some of Haley's smartest, catchiest work is here, from the weightless pop of "Isostasy" to "Ternary"'s lush synth-funk. A song like "Vacuume" somehow balances massive bass drops and smashing drums with angelic gasps, and "Usurper" gracefully pairs subtle poignancy and uplifting dance beats. "For me, it feels like change," Hayley says of his second album, and yes, this is Com Truise like never before. By embracing the music's inherent nature and peerless qualities, Iteration finds new avenues of expression in its vivid, familiar surroundings.

Memories…Do Not Open is the debut full-length album from Grammy Award winning artist/producer duo The Chainsmokers. Comprised of Alex Pall and Drew Taggart, The Chainsmokers have evolved into a dominating musical force with a diverse repertoire of songs that have led them to become today's hottest young artist/producer duo. With a signature sound that deftly reaches across indie, progressive and pop realms, their original tracks and remixes have topped the charts throughout the world.

Compassion", the follow-up to 2013's critically lauded debut Engravings, will be released on 5th May 2017 via Ninja Tune. The album will be followed by a set of multidisciplinary projects expanding the themes and concepts across wider disciplines, overseen by Forest Swords own Dense Truth, an experimental art studio and record label. Compassion" is a response to the uncertain, aggressive new world were experiencing and communicating within, distilling it into a unique sound territory: Barnes' exploration of the mid-point between ecstasy and melancholy, artificial and human feels timely and affecting; a celebration of primal connections, life itself, and an anxious glance at the direction we're heading. The result is an assured, compelling, vital body of work, tying together the ancient and future: weaving swathes of buzzing digital textures, field recordings, clattering beats and distorted jazz sax with fizzing orchestral arrangements. The album shifts from 'The Highest Flood's skeletal bounce to 'Panic's claustrophobic paranoia; the rapturous hyperballad 'Arms Out' to the windswept and cinematic Knife Edge, navigating through the orchestral glitch of 'War It' to decaying jazz thump of Raw Language. The album is equal parts disorienting and immersive, balancing bold sweeping gestures and crumbling textures; tracks seemingly disintegrating and reassembling at points across the album. Blending both digital and specially recorded brass, strings and vocals, Barnes's processing never truly makes it clear what's new or old, sampled or unique, constantly blurring and toying with the line between digital and acoustic. The 'mixed media' approach extends to the record's packaging and design, all directed by Barnes himself. The visuals intersect many of the albums themes: bodies, connection, language and movement with the deluxe booklet featuring portraits of first-wave immigrants who travelled from Barnes' home port of Liverpool to New York. Central to this enthralling world is Compassion", an album that's as weighty as it is vulnerable, sculpting the most striking parts of his previous work into something that feels urgent and necessary, and cementing Barnes as one of the UK's most significant electronic artists and composers.

Deadmau5, real name Joel Zimmerman, never quite goes away completely in between album cycles with various statements and music snippets that emerge from his long studio sessions. Now the "Strobe" producer is ready to release a full project, a new album. The new LP is titled W:/2016ALBUM (pronounced "W Drive 2016/2017 Album), referring to the location on his network access server. The first single "4ware."

In their first collaboration, Brian and Roger Eno present an anthology of sonic inspiration. ‘Mixing Colours’ invites listeners into a prismatic world of calm contemplation. Based on a series of deliberately abstract colours, the innovative brothers evolved the new recording into a unique collection over the years. Their creative DG debut will reach an audience still unfamiliar with their artistry. The poetic set spotlights two celebrated ambient musicians at the height of their artistry.

In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.

When Poliça's Channy Leaneagh fell off her roof while clearing ice in early 2018, she smashed her L1 vertebrae and battered her spine, leaving her in a brace with limited mobility for months. Yet Poliça's fourth album, When We Stay Alive, is not about one debilitating accident. It's about the redemptive power of rewriting your story in order to heal, and reclaiming your identity as a result. When We Stay Alive possesses a new confidence in its sound, reflected in its fierce, determined songs and anchored by the heavy synths and punctuating beats of Poliça co-founder and producer Ryan Olson. Over the last several years Olson and Leaneagh have widely collaborated with musicians from all over the world: both with Bon Iver, and Leaneagh individually with Boys Noize, Lane 8, Sasha, Leftfield, and Daniel Wohl; Olson with Swamp Dogg in addition to countless musicians from the Aaron Dessner and Justin Vernon's 37d03d collective. As a result, When We Stay Alive features one of the largest musical casts of any Poliça record to date. To create the album, Olson brought his favorite collaborators into his studio for all-night sessions. He'd then send Leaneagh the files to write lyrics to while recovering at home, which she'd record alone or with engineer Alex Proctor. Drummers Drew Christopherson and Ben Ivascu colored the songs with a new approach ' drastically changing the rhythmic dynamic from previous efforts by creating an indistinguishable hybrid of live and electronic instrumentation--and bassist Chris Bierden provided a melody-laden low-end as well as more layered backing vocals than ever before. On Poliça's first three albums, Leaneagh focused on restructuring the world and her relationships within it. On When We Stay Alive, she realizes the power in restructuring her inner self. The album's title references the idea of moving forward through life ' our experiences, both good and bad ' and what happens next with the strength we find. 'I had been living unconsciously in past trauma,' Leaneagh says. 'I don't want to deny something happened ' this is not about repression ' it's about taking the power back from the past, holding the power in the present, and creating a new story for myself.'

With a hugely impressive over a million combined album sales and over a billion streams under their belt, Tycho are the Grammy-nominated electronic music project led by Scott Hansen as primary composer, songwriter and producer. Respected for both their musical output and Scott’s graphic design work, under the ISO50 moniker, Tycho has produced and released a hugely successful back catalogue which has drawn comparisons to the likes of Boards of Canada, Ulrich Schnauss and Jon Hopkins. The highly anticipated release of Tycho’s fifth studio album Weather is an exciting progression from his previous output, with most of the new tracks being vocal lead, while still retaining the signature Tycho sound. The sonic shift is enhanced by a collaboration with a young exciting new voice - vocalist Saint Sinner who will be joining the live band following her time in the studio. The release will see Mom + Pop partner for this exciting new chapter in the artist’s career.

'The legendary Aphex Twin returns bringing the heat once more! One of the most spectacular and critically lauded artists in the world, the Collapse EP is one surely not to be missed!!! For nearly three decades Aphex Twin has reigned as The God of Electronic Music. His tunes have packed dancefloors, soundtracked late night sessions and highlighted festivals around the globe. The emotional crescendos he manages to sculpt from his melodies take the listener on a roller coaster of feelings. Also known as Richard D. James, the Duke of Rave has built a career on frollicking visuals and beastly bangers, but this doesn t mean the man cannot trade in a whole plethora of emotions, Avril 14th is a sumptuous celestial patchwork of sadness and euphoria, whilst Come to Daddy is without doubt the most petrifying song in the universe. The Collapse EP falls between these, affirming him as the very best electronic wizard in the game! The Collapse EP is a juicy bag of delights. Extending the flamboyant paths that Aphex Twin has consistently managed to forge through his dizzying career. From the utterly exhilarating T69 collapse to the complete and utterly bonkers, instantaneous and life affirming abundance10edit[2 R8's, FZ20m & a 909] featuring vertigo inducing high hats and sauntering arrangements with some brain scrambling noise thrown in for good measure!

Towards the end of 2013 Jungle burst onto the scene with their first two singles: “The Heat” and “Platoon.” Appearing out of nowhere and propelled by feverish word of mouth online and IRL, Jungle would transform over the next few years from an anonymous production duo to a kaleidoscopic, personality-filled seven piece live band built around the core duo of Josh Lloyd-Watson and Tom McFarland, whose debut album (2014’s self-titled Jungle) was one of the year’s defining debut records; one that would end up nominated for the UK’s Mercury Music Prize and go on to sell over half a million copies. Jungle have now returned with their forthcoming second album FOR EVER which was recorded in London and Los Angeles; Josh and Tom describe it as “a post-apocalyptic radio station playing break up songs.” If Jungle’s first album was their imaginary soundtrack to the places they had never been, their new record captures the landscapes they had so often dreamed of. To write and record the new album, J and T swapped Shepherds Bush for the Hollywood Hills. Their romanticization of The California Dream clashed with the reality of living it—although the experience led them back home to London to finish the album, the journey itself ultimately defining the music it produced. Including singles “Happy Man” and “House In LA,” Jungles’ FOR EVER is due out this September. SELLING POINTS Headline touring this fall and in early 2018 Extensive major festival dates this summer and fall 120,000 equivalent album units in the US, 50M streams Full commercial Alt and AAA radio in full swing for first single “Happy Man” Three more band-directed music videos to come pre-release Massive marketing and editorial support confirmed from all digital retailers Global release week events for fans Late night TV in Sept right around release

The legendary Warp Records duo Autechre return with their first physical releases since 2013's Exai. Originally aired across four, two-hour shows on NTS Radio, NTS Sessions is an archival release of this lauded new and original music. 8CD in printed inner wallets with foil block to each cover. Housed in a rigid slipcase wrapped in printed offset stock with foil block to cover.

Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

Brightons Go! Team return with new single Semicircle Song out on 1 December on long term label home Memphis Industries. Semicircle Song is taken from The Go! Teams new album SEMICIRCLE due 19 January. These are dark and difficult times. We dont need some chancer with an acoustic guitar and a series of concerned hashtags to tell us that. What we need is a band to believe in, who stand for something other than naked careerism, who give us a rock to cling to on stormy days. A band who still have faith in the power of pop music to transform the world, who dream in technicolour, who see beauty in the little things, who shun tepid perfection, who rejoice in the mistakes and the chance encounters that lead us somewhere new. Who remind us what it was like to be young and naive and idealistic and in love. Who throw everything into the pot to create music that is joyfully, effervescently alive. Now more than ever, we need The Go! Team. Its no secret that The Go! Team is the brainchild of one man, Brighton-based melody obsessive Ian Parton. But its membership has never been exclusive: at one time or another, The Go! Team has included on its squad-sheet everyone from Deerhoof to Chuck D to a legion of undiscovered Soundcloud singers. Unlike the groups previous album, 2015s The Scene Between which was essentially a solo project, following the dissolution of the previous Go! Team line-up Ian began work on their fifth album SEMICIRCLE with the vital input of current live band players Simone Odaranile (drums), , Angela Maki Won-Yin Mak (vocals and guitar) and original Team members Sam Dook (guitar) and Ninja (irrepressible rapping).

One of the most influential artists of a generation and a long-standing member of the Warp Records family, Nightmares On Wax announces his new album Shape The Future. A perfect marriage of soul, hip-hop, dub and timeless club sounds that act as a salvo masterpiece of contemporary and classic genre-blending, brilliantly solidifying Nightmares On Waxs place as an inspirational electronic music figurehead.

For the past two years, Nils Frahm has been building a brand new studio in Berlin to make his 7th studio album titled All Melody, which will be released on January 26th, 2018 via Erased Tapes, before Nils embarks on his first world tour since 2015. His previous albums have often been accompanied with a story, such as Felt (2011) where he placed felt upon the hammers of the piano out of courtesy to his neighbors when recording late at night in his old bedroom studio, and the following album Screws (2012) when injuring his thumb forced him to play with only nine fingers. His new album is born out of the freedom that his new environment provided, allowing Nils to explore without any restrictions and to keep it All about the Melody. Despite being confined within the majestic four walls of the historical East German Funkhaus, buried deep in its reverb chambers, or in an old dry well in Mallorca, All Melody is, in fact, proof that music is limitless, timeless, and reflects that of Nils own capabilities. From a boys dream to resetting the parameters of music itself. The cover art was taken by photographer Lia Darjes in Nils new studio and designed by Torsten Posselt at FELD. A series of these in-studio photos will be included in a booklet with the physical copy of All Melody.

Music For The Long Emergency is the collaborative album from Minneapolis-based electronic quintet POLIÇA and European orchestral collective s t a r g a z e. The two bands met for the first time in Berlin in 2016, and while the collaboration started in the same room, the process continued as an 18-month long ''ping pong'' match as the bands exchanged ideas and music over email, mp3 files, video conferencing, and the occasional meet-up in Berlin, Minneapolis, and Eau Claire. Both bands were adamant that whatever they created ''not just be POLIÇA songs with s t a r g a z e pasted on top,'' as POLIÇA vocalist Channy Leaneagh puts it, and the end result is the most adventurous and forward-thinking music either group has made to date.

Segmented Tri-Color vinyl – Blue/Red/Yellow/Red
Exclusive back cover design by We Buy Yours Kids
Exclusive fold-out poster photographed by Jamie Wdziekonski
Includes lossless digital download of King Gizzard live @ Webster Hall, NYC 3.31.17. Mixed by Stu Mackenzie
English lyrics insert

New Order have announced a new live album, NOMC15, recorded at Brixton Academy in 2015 following the release of their most recent studio LP (and Mute debut) "Music Complete". It features a set consisting of tracks from the new album, as well as cuts from their back catalog and songs by Joy Division.

‘Utopia’ is the ninth studio album from the iconic artist Björk, out November 24th via One Little Indian Records. The album's artwork was created in collaboration of M/M, Jesse Kanda and James Merry and reflects the records sonic direction; optimism, lightness, utopia. The album is written by Björk with five of the 14 songs co-written by Arca and one of the songs co-written by Sarah Hopkins. All of the songs except one is coproduced by Arca. One of the songs is co-produced by Rabit. Björk formed a twelve piece Icelandic female flute orchestra, which she arranged for and conducted. She also wrote an arrangement for Hamrahlíðarkórinn, a choir conducted by Þorgerður Ingólfsdóttir. The album was edited and structured by Björk on Protools. It was engineered by Bergur Þórisson, Bart Migal and Chris Elms. It was mixed by Heba Kadry and Marta Salogni and mastered by Mandy Parnell. The album cover was created by Jesse Kanda, in collaboration with Björk, James Merry and makeup artist Hungry. The rest of the album artwork will feature new digital illuminations and typography from MM Paris. Of the album she explained to Dazed this Summer that, ““Maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, If we don’t have the dream, we’re just not gonna change. Especially now, this kind of dream is an emergency.

Vault is a collection of rare, previously unreleased songs that up until now have never been heard by anyone except STRFKR. The band only exists today because of these recordings. Some of these songs were written for STRFKR albums, some were written before or in-between, but they all played a role and influenced what was released under that name.

Is That Light You Carry? is the debut record from Third Culture Kings, a new project led by Jan Johansen (Glorybox) and Alap Momin (dälek). Filtering classic vibes through modern interpretation, 3CK reimagine The Velvet Underground or Leonard Cohen if they had been mixed by King Tubby and Afrika Bambaataa all the while incorporating influences as diverse as Indian drone, early 80’s synth pads and Miami booty bass. Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar - were created or recorded directly to an IPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos that were eventually dropped on top of the finished tracks. 
 
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two decades, Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.

Mareridt (translation: Nightmare) is the highly anticipated sophomore full-length from renowned Danish composer and multi-instrumentalist MYRKUR. Recorded between Copenhagen and Seattle with producer Randall Dunn (Marissa Nadler, Earth, Sunn O))), Boris, Wolves In The Throne Room), Mareridt is a rich juxtaposition of the dark and the light; the moon and the mother earth; the witch and the saint. MYRKUR explores deeper into the mysterious and the feminine with 11 tracks that further progress her visionary blend of metal with gorgeous, stirring melodies, dark folk passages, choral arrangements and superb, horrific beauty. Further taking MYRKUR to new artistic heights are lyrics in multiple languages, an unforgettable collaboration with Chelsea Wolfe and an array of special instrumentation including violin, mandola, folk drums, nyckelharpa (an ancient Swedish key harp), and Kulning (an ancient Scandinavian herding call). Mareridt is a profound manifestation of nightmares that demonstrates MYRKUR as one of the truly exceptional artists of our time.